Wow. The Lebanese really know how to put on a show.
It is exactly midnight and I’m typing from the second most front seat of the bus, a place that I have come to occupy regularly. The National Council’s escort, Linda, and our tour guide, Melkar, are chatting away in the seat in front of me, Josh is reading away Pity the Nation: The Abduction of Lebanon in the seat behind me, and everyone else is conversing quietly or trying to catch up on some sadly neglected Z’s. The entire day, we couldn’t wait to get out of the bus, considering that we’ve spent most of our time in it—first driving South to Beiteddine for a quick look around in the daytime and then onwards to the South Israel-Lebanese border only to turn right back around to make it to Beiteddine by sunset—but after all of the adventure we had outside the bus, our seats are now a comfy place to rest our very tired heads.
Beiteddine is a palace that Emir Bashit Shihab II had built in the 19th century and served as his residence until 1840. After that, it was used by the Ottomans and the French for governmental purposes until it was declared a historic monument in 1934 and was restored by the General Directorate of Antiquities. It then served as the summer residence of the President of Lebanon and currently hosts the annual Beiteddine Festival, which the Lebanon Renaissance Foundation had arranged for us to see tonight. Our stop at the Palace this morning, however, was merely to tour the Palace Museum in the daytime before it was converted into the evening’s stage: my favorite room that we could access was the study with stained-glass windows, but the hammam was pretty awesome, too:
We hopped back on the bus after we quickly checked out the other parts of the Palace, so that we would have enough drive time to the southern towns of Bkessine and Jezzine in order to make it back in time for the Beiteddine Festival’s famous Caracalla Show. The drive throughout the mountains was very…brown…but we passed a few landmarks of interest such as the hometown of the parents of the richest man in the world (business magnate and philanthropist Carlos Slim-Helu, who resides in Mexico) and the waterfall that flows over the edge of the town of Jezzine (check out my pictures under the gallery link) , where we stopped for “a light meal” (i.e. coffee/tea served with heaps of plates containing hummus/libna/salad/watermelon/peaches/plums/cherries/and more). Amongst all the barrenness of the Lebanon Mountains, my favorite place by far was a little restaurant tucked away in the crook of one of the mountain’s cliffs. We stopped only for a few moments to stretch our legs and grab a soft drink, but instead of quenching my thirst with the group, I opted for taking in the serenity of the little piece of paradise we had discovered. I was admiring the breathtaking cascade of moss that made its way down the side of the cliff, with trickles of water running down the entire side and falling into the “pond” built underneath the restaurant’s patio, when a group of three Lebanese women asked me to take a picture of them in front of the scene I was looking at. What started as taking a picture for them quickly turned into an in-depth conversation: the youngest of the woman, a Beiruti student home for the summer from her studies in Canada, was touring South Lebanon with her mother and aunt for the day. During the month I had lived in Morocco, I found that most every attempt at conversation I had tried with my neighbor-family in formal Arabic were quite futile attempts at communication, this Arabic-speaking family in Lebanon seemingly had no trouble at all understanding me. It didn’t take long before they asked me to be with them in a picture and I happily obliged, beginning to wonder if this was becoming a trend considering the similar request I had had on my birthday after dancing with the girls at the concert. Our conversation was cut short as my group had to leave so we ran out of time to exchange numbers, but I gave my new friends my business card in the hope that our paths would cross again: if you read this, please get in touch with me!
After our quick pit stop, we headed deeper into southern territory. Our Lebanon Renaissance Foundation representative Fady who was accompanying us on this trip was an absolute boss at giving us an informative tour of the countryside, including getting us without too much trouble through the typical security checkpoints. When we were in Baalbek earlier this week, it didn’t much hit me that we were in Hezbollah territory—this afternoon, however, I could not be mistaken. There were flags and billboards everywhere advertising the party and its suicide bombers:
It was when we got to the border of Lebanon and Israel that really impacted me the most, though. The plot of farmland on Lebanon’s side of the fence looked exactly the same as the plot on Israel’s side, yet the enormous concrete wall and the barbed wire running the length of the border made it definitely clear that each plot was made of very different soil. After talking about the Arab-Israeli conflict in all of my Middle Eastern studies classes, it was a bit of an unnerving feeling to actually be standing in a location that witnessed so much conflict. Fortunately, there are United Nations Forces in Lebanon (UNFIL) keeping things at bay right now, but it was very apparent—and very depressing—to see such high security serving as the long-term “resolution” to this conflict.
After taking an early dinner break at this historical destination, everyone boarded the bus again and we returned to Beiteddine for the show. I admit that my friends and I found it a tad funny when, as we were sitting on the bleachers gazing at the stars and the twinkling lights of the town next to us, the show began to start and when those lights came on, half of those town lights we were looking at went out…Lebanon and its electricity problem… The light and sound effects were really well choreographed for the show and although it was long, I personally thought it was very enjoyable. I didn’t really follow the whole story because it was in super-intense Arabic, but through the instrumental dancing I think that it told this tragic love story. It wasn’t quite a ballet in the traditional sense but it wasn’t quite what I consider modern dance; the founder of the dance group, Abdel-Rahim Caracalla wanted to create a new language in dance that merged Oriental techniques with Western ones, and I think succeeded at achieving this vision…but, here, you can judge for yourself in my Pictures & Video Gallery.

